The Ephod hung from the high priest’s back down to his heels, while the Breastplate rested in front, opposite his heart. The “back” represents that which is external and mundane – the aspects of life that may be necessary but are not the focus of our main interest. In contrast, the “front” signifies the internal and sublime – the real focus of our interest – just as our face, which expresses our inner thoughts and feelings, is on the front of our body.
The fact that the Breastplate must not become disconnected from the Ephod therefore means that the high priest was not allowed to have any gap between the sublime and the mundane, the essential and the external aspects of his life. What is true in our idealistic and inspired hearts must express itself even in our “heels,” i.e., the mundane and routine aspects of our lives.1
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