I was ten years old that Purim, and in the fifth grade. That was the year
that 1) I shot up from being the shortest kid in class to my adult height, 5
’3”, 2) Romeo and Juliet was the school play, and 3) Mimmi Cohen came to town.
All three factors combined to make fifth grade the toughest, longest, most
miserable year I had yet faced.
I felt awkward with my new height; I now had an
aerial view of my classmates. I so badly wanted the lead in the play, but knew
that it was a popularity contest. I felt sure that Mimmi—she would cross out any
other way people spelled her name—Cohen would grab not only the lead, but all
supporting roles and extras in the play as well, sweeping in from out of town
with her Esprit button-down shirts, black nylons and shiny, grown-up loafers. I
wore a lot of neon in those days. My favorite outfit, which I only wore on
Fridays, was a bright pink dress with neon green and yellow squigglies
zigzagging down the skirt, worn with fold-down ruffly white socks and silver L.
A. Gear sneakers. The Friday of the tryouts for the play, I dressed carefully,
taking extra care that the folds of my ruffly socks were exactly even at both
ankles.
The tryouts were in the morning. Mimmi and I were called out of class
together. She held the blue hall pass, and we walked in icy silence down to the
auditorium. I felt gargantuan next to Mimmi, trying to keep pace with her tiny
steps in my huge silver sneakers. She walked as she had probably seen her mother
walk in high heels—quick, brisk steps that made her heels clop-clop on the
cement like horses’ hooves.
She pointed her chin at the sky, pulling down the
corners of her mouth and patting her blond curls as she walked. “I already know
what I’m going to wear for my costume,” she said. “I have a real ball gown at
home.” “Me, too,” I lied. “It’s… indecipherable.” I had seen that word the day
before in a copy of Time magazine lying around the house, and decided that it
sounded as glamorous as any other. “That’s nice,” Mimmi said, shrugging. “I hope
this won’t take too long. I already know I’m going to get it.” The bottom
dropped out from my stomach. “How do you know?” My world was spinning, but I
wasn’t about to show her how I felt. “I just do,” she said. “Who else would they
pick? Everybody else in this school is such a nerd.” “I am not,” I mumbled.
Tears blurred my vision, and I blinked and blinked, trying to force them back
into my eyes so Mimmi wouldn’t see. “S-something in my eye,” I stammered.
We
reached the auditorium. The dank smell of over-boiled peas and an Ajaxed floor
wafted from the lunchroom next door, and I held my breath as Mimmi showed the
blue hall pass to the teacher running the tryouts. “A-ha. Right this way,
girls,” she said. I felt nauseous and dizzy as I sat, waiting for Mimmi to
finish so I could show the panel how good a Juliet I would be. Mimmi strutted
about the stage as cocky as a Bantam rooster. She rolled her eyes and clasped
her hands as she spoke, her voice traveling up and down the scale like a car on
roller coaster tracks. With the last phrase, she dropped to her knees with a
huge fake sob. Then she stood up, flashed all her teeth in a stagey smile, and
curtsied deeply. “Thank you very much, dear.” Mimmi tossed her head and exited
down the steps at the front of the stage, grinning as if she were the star of a
toothpaste advertisement.
“Next.” I mounted the steps onto the stage. Mimmi sat
directly next to the panel, her arms crossed, swinging her feet back and forth.
I stood for a minute and breathed, focusing my thoughts. “Are you ready, dear?”
I attacked that script for all I was worth. For every one of Mimmi’s eye rolls,
I added two. Every one of her vocal crescendos was eclipsed and forgotten about.
For my big finish, as opposed to merely falling to my knees, I threw myself
facedown on the floor of the stage. That should show them who Juliet should be.
“Thank you.” I stood up, still under the spell of my performance. “Thank you.” I
bowed and smiled. “You may go back to class. Miss Cohen, please wait with us for
a moment while we discuss rehearsals.”
I felt my face turn scarlet. I walked
sedately from the auditorium, keeping my eyes straight ahead, though I could not
see where my steps took me for the hot tears escaping down my flushed cheeks.
Only when I rounded the corner outside of the auditorium, far away from Mimmi’s
grin, did I allow myself to weep. I saw a car pull into the parking lot. That
looks like our van, I thought. I wished that my mother could come and spirit me
away from the tryouts, Mimmi, my gigantic self. As I watched, the driver’s side
door opened. My mother climbed down from the seat, holding two bulky brown lunch
bags. She made her way towards the office. We often ran out of time in the
morning for my mother to make lunch, so she brought it to school later on. I
held my breath. Would she see me? I ducked behind a clump of bushes. My mother
went into the office with the lunch bags. The clock stood still. I imagined her
chatting with the receptionist, writing out two pink slips, one for my brother
and one for me, to come to the office and get our lunches, turning away and
putting her hand on the door—there! My mother headed back towards the car. She
took out her keys.
“Mommy!” I ran out from behind the bushes. “Hi, sweetie!” My
mother’s face lit up when she saw me. “What are you doing here?” “Mimmi got the
part,” I sniffled. My mother set her lips, but only for an instant. Then the
expression was gone, and she leaned toward me. “Do you know what?” she said. “I
left dough for the hamantashen chilling in the fridge. It’s all ready for you.
Why don’ t you come home with me for lunch and we’ll make hamantashen together?”
“Yeah!” I said. Truly, this was an act of G-d. I ran towards the car. “Don’t
tell your brother. It’s our secret,” my mother said.
Ten minutes later saw my
mother and me in the sunlit kitchen, rolling out hamantashen dough with my
great-grandmother’s wooden rolling pins, shiny and smooth as glass from over
sixty years of use. The dough spread under our hands like a thick puddle. The
ache in my heart abated. “Do you know,” my mother said, “this is the very same
recipe that Grandma used when she made hamantashen with her mother in the Old
Country?” “They made hamantashen back then?” “Of course,” my mother said. “And
before that.” “When before?” “For almost two thousand years, maideleh.”
Two
thousand years. I pressed my tongue to my upper lip, trying to comprehend a gap
of time, vague and dead as the flat pages of my history book, suddenly filled
with people, great-grandmothers and mothers and daughters, making hamantashen
for Purim. “Two thousand years ago Shakespeare wasn’t even born.” “And you know
what? G-d gave us His Torah even before that,” my mother said. My mother and
I carefully cut circles from the flattened dough, filled them, and pinched them
shut. I tried hard not to let any of the filling peep out from inside, the mahn
a delicious secret, like G-d’s boundless love, kept by generations of Purim
merrymakers. G-d chose us. As I squeezed a hamantash together at the top, I felt
honored to be part of such a miracle. That day in our kitchen, I realized that
Purim was more than three-cornered cookies. It was part of our legacy, and more
lasting than any of the worries that plagued my ten-year-old agenda. The school
play, Mimmi Cohen, even being taller than all my classmates, would pass. G-d’s
Torah, our Torah, eternal, and His chosen people, the Jews, would remain. I
smiled at my mother. This was our secret.