The Phoenix

It was 22 years ago, when the widow of Jacques Lifschitz, the renowned sculptor, had come for a private audience with the Lubavitcher Rebbe, shortly after her husband's sudden passing.

In the course of her meeting with the Rebbe, she mentioned that when her husband died, he was nearing completion of a massive sculpture of a phoenix in abstract, a work commissioned by Hadassah Women's Organization for the Hadassah Hospital on Mt. Scopus, in Jerusalem.

As an artist and sculptor in her own right, she said that she would have liked to complete her husband's work, but, she told the Rebbe, she had been advised by Jewish leaders that the phoenix is a non-Jewish symbol. How could that be placed, in Jerusalem -- no less!

I was standing near the door to the Rebbe's office that night, when he called for me and asked that I bring him the book of Job, from his bookshelf, which I did.

The Rebbe turned to Chapter 29, verse 18, "I shall multiply my days like the Chol."

And then the Rebbe proceeded to explain to Mrs. Lifschitz the Midrashic commentary on this verse which describes the Chol as a bird that lives for a thousand years, then dies, and is later resurrected from its ashes.

Clearly then, a Jewish symbol.

Mrs. Lifschitz was absolutely delighted and the project was completed soon thereafter.

True to his nature, the Rebbe discerned the positive where conventional wisdom saw only negativism.

How fitting, retrospectively, this beautiful metaphor of life returning from the ashes. In his own divinely inspired way, the Rebbe had brought new hope to this broken widow. And in the recurring theme of his life, he did the same for the spirit of the Jewish people, which he raised from the ashes of the Holocaust to new, invigorated life.